The deFner Supremacy
My custom strat. It started life as a Squier Strat but one of the early 1980’s Japanese ones, now known as a ‘Japanese Vintage.’ Actually my first proper guitar from when I was a kid. It’s had a new neck fitted (I still have the original) with a flatter radius and bigger frets than the original and awesome Bare Knuckles Pick Ups fitted – Trilogy in the Neck and Middle and Sinner in the Bridge (the photo shows it fitted with EMGs I used to have). Its also got some way cool custom wiring which gives me a whole variety of different sounds – too complicated to explain here but if I ever meet you I’ll tell you all about it. All put together by Brian Hayward of Hayward Guitars who helped me with all the customising decisions. The only original part now is the body, which I have alluded to in the headstock logo. Great guitar for live and recording.
The Lewis ’62 Strat
Fell in love with this guitar as soon as I saw it and even more so when I played it. Made by Gary Lewis of Lewis Custom Guitars. He actually made it for himself as an exact copy of a 1962 Strat with a couple subtle differences which freakishly would have been exactly what I would asked for if he had made it for me. Otherwise, its a standard set up strat that sounds every bit as good as a real ’62 Strat – and I know because I played a real one back to back with this one and, if anything, this one probably sounds better. Use this one loads both for recording and live. It just sounds amazing.
The Vintage V6 JMH
My ‘Hendrix’ strat courtesy of the good people at Vintage. Great guitar. Plays lovely and sounds great but not made with a standard strat set up. It’s right handed guitar but with left handed features – check out that reverse head stock. Also the pick ups come fitted the wrong way round i.e. as if you were playing a left handed guitar upside down – play close attention to that bridge pick up. The overall effect is that classic retro sixties guitar hero sound. Genius!
Started off life as a standard Charvel Model 1 with one Jackson pick up at the bridge and a standard fulcrum trem. Now has two Paul Reed Smith pick ups with some custom wiring courtesy of Brynsley Schwartz. Pick ups are Vintage Bass at the neck and HFS II in the bridge with one volume pot and a ‘sweet switch’ as a tone control which I use mostly in the less treble position – I’ve never been sure whether this switch is supposed to boost the treble or the mid range so don’t whether its ‘on’ or ‘off.’ The wiring gives me the humbucker sounds for some fat rock and a couple of really cool single coil sounds which I love, all through the five way selector switch – nice and simple. Great for rock and serious shredding if the mood takes you.